Oriental Demo, Live Works 7, 2019, P by Roberta Segata, Courtesy of Centrale Fies
In her performance Oriental Demo, Ceylan Öztrük demonstrates the strong connection between heteronormativity and orientalism. Under the gaze of the audience, she learns how to bellydance with the guidance of a local oriental dance teacher. In a spontaneous and generous approach, the artist merges actions and theoretical considerations in order to question the manner in which eurocentric patriarchal narratives determine the representation of and the gaze directed at women. She takes this performance moment to experience the belly dance practice and, from there, to manifest on how the repertoire of stereotypical orientalist images structures sexuality and its politics.
Oriental Demo, Performance Arsenic Theatre, Les Urbaines Festival, Lausanne, 2018
With Marion Novet
The new Venus, which is inspired by pre-historic Venus statuettes, is charged with a new interpretation: It is liberated from the realm of the heteronormativity, becoming an object of pleasure for women. The woman’s image thus becomes embedded in her own domain. The Venus is released in a dance class performance; it justifies a new issue with a new promotion event than previous. While it slips to new issues, it also diversifies into new forms of presenting and manifesting. This try-out performance with its research and practice process combines a culmination of Ceylan Öztrük’s interests in subjectivity, historicisation, gender politics; and her recent interests in orientalism and migration.
The strong connection between heteronormativity and orientalism is being referred in this performance; It is constituted by their common oppressive approaches and it demonstrates the oriental facts contrarily. This act is an attempt on making an inversion on orientalist dynamics and western-recognised art epitomes.
These Venuses mark the new phase of the ongoing project, Call me Venus. The project aims to point out towards patriarchal transmutation of female figures and facts in history and exercise eliminating them. It questions how to banalise the male interpretation on the female body and dispel the heteronormativity; as the Venus figurines become strap-on dildos: a charged symbol for pleasuring self and other.
Performed with Mirjam Barakar
Strap - on picture by James Bantone
Performance picture by Guillaume Guilherme
2018, Tanzhaus, Zürich