The artist assumes the role of a historian in her solo exhibition 'history in lowercase'. She narrates on the subjective perspective of a historian how the history is written through an artist’s individuality. The works on display, as method of a try out, seek similarities between the subjective perspective of history writing and an artist’s practice, and then combine these. While the works sustain a process in their own right, they copy the abstract forms and practices of some social environments. Inside the exhibition they create a new movement at the space and they generated a suitable occasion for the viewer to spend a productive time in this space. 

In 'history in lowercase', besides dealing with the subjective approach of history writing as an artist and keeping the process proceeding, a structure had been formed to develop the process of the show and the context. Establishing sub-textual connections with one another while playing an indispensable role in the transformation of space; ready-mades, images created, video and documents were brought together in a large installation that spread to space, influencing its own pieces. Transforming the way viewers move within the show and how they see it, the installation relates the movement of viewers and their perception of space to the process of history-writing.

2015, Istanbul